Christians and Indians (and the Creation)
The Christians are dealing with the rejection of the idea that an all-powerful being made the earth in 7 earth days, 6000 years ago. The Religious Indians are dealing with a variety of beliefs, for instance, that they lived in an underworld, and climbed up a large bamboo or a pine tree or ... through a hole in the ground, to the American Southwest. Or perhaps, we are all living on the back of a giant turtle.
I am intensely curious as to what the average creationist American would have to say concerning the religious beliefs of the Native Americans. Would they scoff and point out the DNA evidence that shows they came from Asia? Would they accept their stories as true and factual?
Most religious groups will be defending their standpoint against "Science" to their last breath. And, "Science" will be putting forth their ideas as well. The difference between science and other systems of belief is Science loves to change, to find more truth! And most of the others are trying to keep their old ideas firmly established. Hopefully they will remember that their version of the story is really no more factual than any religion (well, maybe a *little* more factual), we still have a long way to go before any of us really understands what happened in the beginning of the universe, the beginning of this galaxy or the beginning of the human race.
Free Rice
I'd like to let everyone know about this great site! For every vocabulary word you can define, 20 grains of rice are donated to hungry people around the globe! It's an addicting game, and even more so when you know that your high scores help people!
I've created 20,000 grains of rice with a vocabulary level of 44. How about you?
Let's play 'Guess that State'!

No? How about the next one?

Here's a hint, the next one isn't Utah.



How many did you guess?
Are you curious about what the rest of the United States looks like?

Huh ... What happened to the western half of the USA?
If you want to look at more detailed maps, check out this page: The National Atlas
The Constitution states in Article 1, Section 8, Clause 17:
[The congress shall have power] To exercise exclusive Legislation in all Cases whatsoever, over such District (not exceeding ten Miles square) as may, by Cession of particular States, and the Acceptance of Congress, become the Seat of the Government of the United States, and to exercise like Authority over all Places purchased by the Consent of the Legislature of the State in which the Same shall be, for the Erection of Forts, Magazines, Arsenals, dock-Yards, and other needful Buildings;
In other words, the federal government only has the right to own a ten-mile square piece of land for the above specific purposes. The Northwest Ordinance of 1787 declared that new states entering the union would have equal footing with the already existing 13 states - all land would belong to the state, and the federal government would need to buy any tract of land it needed for its purposes (listed above).
Well, as you can see by the map, they did pretty well at first, and most of the eastern states remain intact. When the federal government began buying or conquesting land, and creating territories - a new policy came into place. When Ohio was made a state in 1803, the government kept possession of any land not privately owned, rather than turning it over to the state. They promised to sell the land to private parties as quickly as possible, and they would use the proceeds to pay off the national debt. At first, this worked - the states eventually gained possession of the land, and the federal government got a bit of cash. Most of the Louisiana purchase was dealt with in this way (I wonder how much the US Government got back from it's investment?). When Northern Mexico was conquered, and eventually made into states, this policy was not followed (as you can see from the map).
The federal government owns aproximatly:
- 90% of Alaska
- 45% of Arizona
- 45% of California
- 36% of Colorado
- 64% of Idaho
- 30% of Montana
- 87% of Nevada
- 35% of New Mexico
- 52% of Oregon
- 66% of Utah
- 30% of Washington, and
- 48% of wyoming
There is a lot of talk from Native Americans saying how the white-men stole the land .. etc etc. Well, we don't own it either.
With the presidential elections coming up, I wonder how many of them even know (or care) that half of the land in the western USA isn't under the people's care or control? Would the states make better use of the land? Maybe so, but we'll never know.
Import and Export
In light of that concept, It does not matter where the country you reside in stands in this matter, nor your state, province or even city, if you, as an individual or a household do not also follow this pattern of exporting more than you import.
Where do you stand? Do you create more resources than you consume? Energy, food, materials, instruction and entertainment? What do you export that is of an equal value? They do not have to be the same type of resources, that is the point of trading, but are they of equal value to those around you? I would not include money as a resource, for, if something were to happen to its financial backers, money would become practically worthless.
I would encourage everyone to think about what they're import/export ratio is - write a list if you need to, and then find solutions that will bring that ratio up to or above the equilibrium.
NPCs, Quakers and Pawns
I think equality truly means that we all have an equal chance to become whatever type of chess piece we want to become. Some people will be pawns - just going through life, getting in the way, good luck, bad luck ... being Non-Player-Characters (to use an RPG term) to be used and thrown away when they are through. This may seem harsh, especially since there are people like this - but, I believe it is through their own choice. The alternative to being a pawn, would to be one of the "heroic" pieces, the ones that have more choices open to them about how to act, what they want to achieve and so on.
One could argue that there is a social and economic bar placed over a portion of the population that keeps them from being able to be more than a pawn in life. But, I would argue that this is not true! This is because there are numerous examples of rich people who have lived and died and have only been well educated and comfortable pawns, but pawns none the less. You must also remember that you don't have to be Gandhi, or the president of the united states in order to move away from being a pawn. Anyone who can change the world about them (for good or ill) in a way that will last (hopefully) beyond their own life has moved from being a pawn to being something that has made a difference. And, isn't that one of the reasons we are here? If we do not make a difference, what difference did it make that we were born?
Four (plus one) rules for a good game
1) have fun
2) try to win
3) it's okay if you loose, it's just a game
4) no cheating
and, a bonus rule
5) if you win all the time, let someone else win every once in a while.
Dedicating the Statue of Liberty to the LORD
This all adds up to a statue of dubious character, and we could all wonder why it has become such a loved emblem of this country. The answer to this lies in the short poem written to raise funds for the base of the proposed statue by a woman named Emma Lazarus. Emma was a Sephardic Jewish woman born in New York City in 1849.
The New Colossus
Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles. From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
"Keep, ancient lands, your storied pomp!" cries she
With silent lips. "Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
I lift my lamp beside the golden door!"
As most Americans know, this poem was later engraved onto a plaque which was placed on the base of the statue. What most Americans don’t know, however, is the message she was trying to give to the world with her poem. By comparing this poem to a selection of her other poetry and by remembering her Jewish upbringing, we can suddenly see a clear message of revolt from the Babylon of Europe, into the welcoming arms of a new mother, a new Zion where true liberty prevails. Let us take this monumental poem phrase by phrase and learn how this Jewish woman dedicated an unavoidable symbol of the corruption of the Old World into a Declaration of the Light of her LORD to all the people of the earth.
The New Colossus
Not like the brazen giant of Greek fame,
With conquering limbs astride from land to land;
The poem starts out by proclaiming that this new statue is not like the old Colossus of Rhodes, Apollo, with conquering limbs astride from land to land. Liberty could not be obtained through warfare and domination! What does she replace this standard of European thought with?
Here at our sea-washed, sunset gates shall stand
A mighty woman with a torch, whose flame
Is the imprisoned lightning, and her name
Mother of Exiles.
The Mother of Exiles is a mighty woman carrying a torch, but who is she? To answer that question, we can turn to another of Emma’s poems, 1492 (written in 1883) which describes the “two-faced year” in which the Jews were exiled from Spain and a New World was discovered for them to flee to.
1492
Thou two-faced year, Mother of Change and Fate,
Didst weep when Spain cast forth with flaming sword,
The children of the prophets of the Lord,
Prince, priest, and people, spurned by zealot hate.
Hounded from sea to sea, from state to state,
The West refused them, and the East abhorred.
No anchorage the known world could afford,
Close-locked was every port, barred every gate.
Then smiling, thou unveil'dst, O two-faced year,
A virgin world where doors of sunset part,
Saying, "Ho, all who weary, enter here!
There falls each ancient barrier that the art
Of race or creed or rank devised, to rear
Grim bulwarked hatred between heart and heart!"
One cannot help but see the similarity between these two lines: Then smiling, thou unveil'dst, O two-faced year, // A virgin world where doors of sunset part and Here at our sea-washed, sunset gates shall stand // A mighty woman with a torch. The lands of America (North and South) were a refuge for the Jews who were being actively cast forth from their homes. Where else could they turn? In another poem, written by Emma during the same time period as The New Colossus, we catch another glimpse of this Mother of Exiles.
By the Waters of Babylon
Part V. - Currents
Vast oceanic movements, the flux and reflux of immeasurable tides oversweep our continent.
From the far Caucasian steppes, from the squalid Ghettoes of Europe,
From Odessa and Bucharest, from Kief and Ekaterinoslav,
Hark to the cry of the exiles of Babylon, the voice of Rachel mourning for her children, of Israel lamenting for Zion.
And lo, like a turbid stream, the long-pent flood bursts the dykes of oppression and rushes hitherward.
Unto her ample breast, the generous mother of nations welcomes them.
The herdsman of Canaan and the seed of Jerusalem's royal shepherd renew their youth amid the pastoral plains of Texas and the golden valleys of the Sierras.
Hark to the cry of the exiles of Babylon, the voice of Rachel mourning for her children, of Israel lamenting for Zion. The Jewish people have been exiled from their homes, cast forth by religion and government, they are crying for peace and freedom. They burst forth from the Old World like a broken dam and flow into the New World, welcomed by The Mother of Nations. Zion and Israel are often depicted in the Scriptures as a woman, the bride of the LORD. It is fitting then, that their lamentations were answered with a new land, a new Zion, where they could proser without turning away from their LORD.
From her beacon-hand
Glows world-wide welcome; her mild eyes command
The air-bridged harbor that twin cities frame.
The imprisoned lightning that glows in her torch is a welcoming light for all the world, and this is exemplified by the imagery which casts her as a guardian of the harbor (which, incidentally, was the original purpose of the Colossus of Rhodes) in the next few lines:
"Keep, ancient lands, your storied pomp!" cries she
With silent lips. "Give me your tired, your poor,
Your huddled masses yearning to breathe free,
The wretched refuse of your teeming shore.
Send these, the homeless, tempest-tost to me,
The message hinted at in the first lines are now brought home; Keep, ancient lands, your storied pomp! America has no need of the corruption and religious persecution that had cast so many from their homes. You might also compare the wording of these lines to the end of her poem, 1492. And so, we come to the last line of this poem:
I lift my lamp beside the golden door!"
The lamp of the Mother of Exiles could represent one of many things, but the most compelling is referenced in yet another of Emma’s poems, titled Gifts:
Gifts
"O World-God, give me Wealth!" the Egyptian cried.
His prayer was granted. High as heaven, behold
Palace and Pyramid; the brimming tide
Of lavish Nile washed all his land with gold.
Armies of slaves toiled ant-wise at his feet,
World-circling traffic roared through mart and street,
His priests were gods, his spice-balmed kings enshrined,
Set death at naught in rock-ribbed channels deep.
Seek Pharaoh's race to-day and ye shall find
Rust and the moth, silence and dusty sleep.
"O World-God, give me beauty!" cried the Greek.
His prayer was granted. All the earth became
Plastic and vocal to his sense; each peak,
Each grove, each stream, quick with Promethean flame,
Peopled the world with imaged grace and light.
The lyre was his, and his the breathing might
Of the immortal marble, his the play
Of diamond-pointed thought and golden tongue.
Go seek the sun-shine race, ye find to-day
A broken column and a lute unstrung.
"O World-God, give me Power!" the Roman cried.
His prayer was granted. The vast world was chained
A captive to the chariot of his pride.
The blood of myriad provinces was drained
To feed that fierce, insatiable red heart.
Invulnerably bulwarked every part
With serried legions and with close-meshed Code,
Within, the burrowing worm had gnawed its home,
A roofless ruin stands where once abode
The imperial race of everlasting Rome.
"O Godhead, give me Truth!" the Hebrew cried.
His prayer was granted; he became the slave
Of the Idea, a pilgrim far and wide,
Cursed, hated, spurned, and scourged with none to save.
The Pharaohs knew him, and when Greece beheld,
His wisdom wore the hoary crown of Eld.
Beauty he hath forsworn, and wealth and power.
Seek him to-day, and find in every land.
No fire consumes him, neither floods devour;
Immortal through the lamp within his hand.
The Lamp of the Hebrews is Truth from the LORD. This theme can be found in a number of Emma’s other works, including "The Choice," "The Feast of Lights," and "In Exile." It isn’t too far of a leap to suggest that the lamp that the Mother of Exiles holds next to the golden door, might be this same lamp mentioned in her other poetry.
In the end, the original message of the Statue of Liberty became turned around from one of condescending light shining forth from the Ancient and Civilized Lands into the Young Lands guiding their reckless venture of freedom into more traditional and tested forms of power and control into a welcoming light of moral truths on which this country was founded shining forth into the rest of the weary world. Emma Lazarus did our world a favor when she dedicated the Statue of Liberty to her LORD and changed her name to the Mother of Exiles.
I would like to give credit to Daniel Marom and his book Prooftexts: A Journal of Jewish Literary History for giving me the idea of writing this essay, and also to Emma Lazarus for being brave enough to combat tendrils of Babylon that had begun to creep into her Zion. May we all have as much courage as her in our own struggles.
