Showing posts with label Jehovah. Show all posts
Showing posts with label Jehovah. Show all posts

Justice and Mercy in Mormonism

There are quite a few strange things about mormon doctrines. One common idea is that Mercy is utterly opposed to Justice and visa versa. Let me wander down the isles of the thought processes that have led us there.

The GOD of the old testament seems harsh, brutal, quick to dish out punishment, and slow to let transgressions go without some recompense. The Law of Torah is filled with death penalties for trivial crimes (or so they seem to us). We do not like to think of God in this light, as we believe that our souls and our futures are in his hands. Along comes Jesus! From the new testament we can see that he is loving, forgiving and fair. Whew! we know we can trust this guy not to kill us for stepping out of line.

In traditional christian thought, Jesus and the Father are one being, so what Jesus is, so is the Father, and we come up with ways to explain away the actions of the old testament god. The mormons, along with other modern arians, did not believe in the traditional trinity, but considered that the members of the godhead were all separate beings. Well, this brought up the idea of the vengeful old testament god again. If there was no new testament Jesus side to god himself, new explanations would have to be found, or the old testament would need to be downplayed (as many modern christian denominations do).

Now, I'm not sure when the Justice vs Mercy doctrine became very popular in mormonism, I'll have to do some research, but, perhaps it stemmed from these early days of the church. The basic premises of the idea is that God represents JUSTICE! perfect justice that must be satisfied at all costs! and Jesus represents MERCY! perfect mercy that could forgive those who were killing him as it was being done. When we sin, God demands that justice be served, thrusting us out into the darkness if we are the least bit imperfect - and then, Jesus saves us with his mercy, by forgiving us and taking on our sins for himself. How this works exactly is up for debate. When we are through with this history lesson, I want to show why this was a false idea in all of its incarnations.

In the very early 1900s, the mormons still believed that god the father was Jehovah or LORD of the old testament, and Jesus was a separate person who played a role as explained above. The modern era was approaching, many converts were joining the church, and as a result, many of the members of the church were becoming uncomfortable with the idea of this GOD, personally untempered by a kinder half.

Luckily for them (or not, as your point of view may be), Talmage came along and introduced what I like to call reformed trinitarianism. Basically, the old testament God, Jehovah, really was Jesus - just pretending. Besides all of the weird stuff that does to your brain (if you were brought up to be a non-trinitarian) like Jesus talking about himself in third person; Abraham, Issac, Jacob and Moses were really talking to Jesus, not the father; and apparently you prayed to Jesus before he came and the Father after etc., it neatly solved the current moral dilemma by placing the mormon godhead in the same murky water as the rest of christianity. Even though this didn't really solve the problem, it DID in so many people's minds, that it didn't really matter one way or the other.

In this doctrinal setting (Jesus is Jehovah), the idea of Justice vs Mercy would not have become as important since both roles were being played by the same person anyway (thus the internal cohesion (or confusion, as I like to think of it as) of the two would have been emphasized rather than the separateness).

Now for the fun part! How is this idea fundamentally flawed?

First off, separating these two attributes between the pair of them implies that God cannot forgive, or is incapable of mercy. Many would tend to agree with this - he represents the LAW, and it would be unbefitting of him to bend it for us (as many a tale about kings exemplifies). But, the other side to this would be that Jesus cannot exhibit justice, or met out retribution. Before you say 'of course he does not judge us - he loves us all unconditionally', remember his words to the scribes and pharisees, remember how he scourged the temple of the money changers, how he scorched the fruitless fig tree. These are not the actions of a man without justice. The thing that Jesus did, that I think was remarkable, was he knew when people were selfish or greedy or abusive, and called them on it - even if it was an acceptable practice for the day. He also associated himself with, and forgave, those that society had cast out. In short, he could see through social and cultural labels down into the human soul.

I would also like to point out that God in the old testament isn't as unmerciful as many think. Just peruse through the search result for forgive in the old testament. As an example (as I am running out of time)
Psalms 86: 5 For thou, Lord, art good, and ready to forgive; and plenteous in mercy unto all them that call upon thee.


There are examples of god the father forgiving people without requiring a sacrifice BEFORE Jesus is born and is killed. There are also examples of Jesus freely forgiving those he met in his life "your sins are forgiven you, go and sin no more". What does this mean? There was no Justice exacted before forgiveness was granted - how is this possible in the DEATH=SIN/SIN=PUNISHMENT model of things?

Lastly, this idea sets up two different ideals - one just and the other merciful. If God and Jesus are both perfect, shouldn't they share an ideal rather than separating it out between them? Is perfection Just, or is it Merciful? If we are to be perfect like our father in heaven is perfect, should we show no mercy, but demand justice in every case? What becomes of the message of Jesus to forgive everyone who crosses our path?

We ourselves should be striving for a balance between the two, and so why not our prime examples in this life as well? God is merciful, Jesus is Just. Instead of patching up things we don't want to hear, we should take a close look at our holy books and either denounce their ideals as not our own, or come to an understanding of the message which the authors were intending.

Dedicating the Statue of Liberty to the LORD

The statue of liberty was a “gift” from the French government to the American people, as if from a knowing father to an unexperienced child. The sculptor prided himself in creating gargantuan statuary that rivaled that of the ancients. The Statue of Liberty was no exception, it was commonly known that this statue would rival the Colossus of Rhodes, one of the Seven Wonder of the Ancient World (which was also situated in the midst of a busy harbor). The design of the Statue of Liberty was intended to be a depiction of the Roman Goddess, Libertas wearing a representation of the Phrygian cap, which was the mark of a freed slave. In her hand she bore a torch, representing (in the mind of the sculptor) the enlightenment of France being bestowed upon America as a gift (as if the Americans could not find it themselves.

This all adds up to a statue of dubious character, and we could all wonder why it has become such a loved emblem of this country. The answer to this lies in the short poem written to raise funds for the base of the proposed statue by a woman named Emma Lazarus. Emma was a Sephardic Jewish woman born in New York City in 1849.

The New Colossus

Not like the brazen giant of Greek fame,

With conquering limbs astride from land to land;

Here at our sea-washed, sunset gates shall stand

A mighty woman with a torch, whose flame

Is the imprisoned lightning, and her name

Mother of Exiles. From her beacon-hand

Glows world-wide welcome; her mild eyes command

The air-bridged harbor that twin cities frame.

"Keep, ancient lands, your storied pomp!" cries she

With silent lips. "Give me your tired, your poor,

Your huddled masses yearning to breathe free,

The wretched refuse of your teeming shore.

Send these, the homeless, tempest-tost to me,

I lift my lamp beside the golden door!"


As most Americans know, this poem was later engraved onto a plaque which was placed on the base of the statue. What most Americans don’t know, however, is the message she was trying to give to the world with her poem. By comparing this poem to a selection of her other poetry and by remembering her Jewish upbringing, we can suddenly see a clear message of revolt from the Babylon of Europe, into the welcoming arms of a new mother, a new Zion where true liberty prevails. Let us take this monumental poem phrase by phrase and learn how this Jewish woman dedicated an unavoidable symbol of the corruption of the Old World into a Declaration of the Light of her LORD to all the people of the earth.

The New Colossus

Not like the brazen giant of Greek fame,

With conquering limbs astride from land to land;


The poem starts out by proclaiming that this new statue is not like the old Colossus of Rhodes, Apollo, with conquering limbs astride from land to land. Liberty could not be obtained through warfare and domination! What does she replace this standard of European thought with?

Here at our sea-washed, sunset gates shall stand

A mighty woman with a torch, whose flame

Is the imprisoned lightning, and her name

Mother of Exiles.

The Mother of Exiles is a mighty woman carrying a torch, but who is she? To answer that question, we can turn to another of Emma’s poems, 1492 (written in 1883) which describes the “two-faced year” in which the Jews were exiled from Spain and a New World was discovered for them to flee to.

1492

Thou two-faced year, Mother of Change and Fate,

Didst weep when Spain cast forth with flaming sword,

The children of the prophets of the Lord,

Prince, priest, and people, spurned by zealot hate.

Hounded from sea to sea, from state to state,

The West refused them, and the East abhorred.

No anchorage the known world could afford,

Close-locked was every port, barred every gate.

Then smiling, thou unveil'dst, O two-faced year,

A virgin world where doors of sunset part,

Saying, "Ho, all who weary, enter here!

There falls each ancient barrier that the art

Of race or creed or rank devised, to rear

Grim bulwarked hatred between heart and heart!"


One cannot help but see the similarity between these two lines: Then smiling, thou unveil'dst, O two-faced year, // A virgin world where doors of sunset part and Here at our sea-washed, sunset gates shall stand // A mighty woman with a torch. The lands of America (North and South) were a refuge for the Jews who were being actively cast forth from their homes. Where else could they turn? In another poem, written by Emma during the same time period as The New Colossus, we catch another glimpse of this Mother of Exiles.

By the Waters of Babylon

Part V. - Currents

Vast oceanic movements, the flux and reflux of immeasurable tides oversweep our continent.

From the far Caucasian steppes, from the squalid Ghettoes of Europe,

From Odessa and Bucharest, from Kief and Ekaterinoslav,

Hark to the cry of the exiles of Babylon, the voice of Rachel mourning for her children, of Israel lamenting for Zion.

And lo, like a turbid stream, the long-pent flood bursts the dykes of oppression and rushes hitherward.

Unto her ample breast, the generous mother of nations welcomes them.

The herdsman of Canaan and the seed of Jerusalem's royal shepherd renew their youth amid the pastoral plains of Texas and the golden valleys of the Sierras.


Hark to the cry of the exiles of Babylon, the voice of Rachel mourning for her children, of Israel lamenting for Zion. The Jewish people have been exiled from their homes, cast forth by religion and government, they are crying for peace and freedom. They burst forth from the Old World like a broken dam and flow into the New World, welcomed by The Mother of Nations. Zion and Israel are often depicted in the Scriptures as a woman, the bride of the LORD. It is fitting then, that their lamentations were answered with a new land, a new Zion, where they could proser without turning away from their LORD.

From her beacon-hand

Glows world-wide welcome; her mild eyes command

The air-bridged harbor that twin cities frame.


The imprisoned lightning that glows in her torch is a welcoming light for all the world, and this is exemplified by the imagery which casts her as a guardian of the harbor (which, incidentally, was the original purpose of the Colossus of Rhodes) in the next few lines:

"Keep, ancient lands, your storied pomp!" cries she

With silent lips. "Give me your tired, your poor,

Your huddled masses yearning to breathe free,

The wretched refuse of your teeming shore.

Send these, the homeless, tempest-tost to me,


The message hinted at in the first lines are now brought home; Keep, ancient lands, your storied pomp! America has no need of the corruption and religious persecution that had cast so many from their homes. You might also compare the wording of these lines to the end of her poem, 1492. And so, we come to the last line of this poem:

I lift my lamp beside the golden door!"


The lamp of the Mother of Exiles could represent one of many things, but the most compelling is referenced in yet another of Emma’s poems, titled Gifts:

Gifts

"O World-God, give me Wealth!" the Egyptian cried.

His prayer was granted. High as heaven, behold

Palace and Pyramid; the brimming tide

Of lavish Nile washed all his land with gold.

Armies of slaves toiled ant-wise at his feet,

World-circling traffic roared through mart and street,

His priests were gods, his spice-balmed kings enshrined,

Set death at naught in rock-ribbed channels deep.

Seek Pharaoh's race to-day and ye shall find

Rust and the moth, silence and dusty sleep.


"O World-God, give me beauty!" cried the Greek.

His prayer was granted. All the earth became

Plastic and vocal to his sense; each peak,

Each grove, each stream, quick with Promethean flame,

Peopled the world with imaged grace and light.

The lyre was his, and his the breathing might

Of the immortal marble, his the play

Of diamond-pointed thought and golden tongue.

Go seek the sun-shine race, ye find to-day

A broken column and a lute unstrung.


"O World-God, give me Power!" the Roman cried.

His prayer was granted. The vast world was chained

A captive to the chariot of his pride.

The blood of myriad provinces was drained

To feed that fierce, insatiable red heart.

Invulnerably bulwarked every part

With serried legions and with close-meshed Code,

Within, the burrowing worm had gnawed its home,

A roofless ruin stands where once abode

The imperial race of everlasting Rome.


"O Godhead, give me Truth!" the Hebrew cried.

His prayer was granted; he became the slave

Of the Idea, a pilgrim far and wide,

Cursed, hated, spurned, and scourged with none to save.

The Pharaohs knew him, and when Greece beheld,

His wisdom wore the hoary crown of Eld.

Beauty he hath forsworn, and wealth and power.

Seek him to-day, and find in every land.

No fire consumes him, neither floods devour;

Immortal through the lamp within his hand.


The Lamp of the Hebrews is Truth from the LORD. This theme can be found in a number of Emma’s other works, including "The Choice," "The Feast of Lights," and "In Exile." It isn’t too far of a leap to suggest that the lamp that the Mother of Exiles holds next to the golden door, might be this same lamp mentioned in her other poetry.

In the end, the original message of the Statue of Liberty became turned around from one of condescending light shining forth from the Ancient and Civilized Lands into the Young Lands guiding their reckless venture of freedom into more traditional and tested forms of power and control into a welcoming light of moral truths on which this country was founded shining forth into the rest of the weary world. Emma Lazarus did our world a favor when she dedicated the Statue of Liberty to her LORD and changed her name to the Mother of Exiles.



I would like to give credit to Daniel Marom and his book Prooftexts: A Journal of Jewish Literary History for giving me the idea of writing this essay, and also to Emma Lazarus for being brave enough to combat tendrils of Babylon that had begun to creep into her Zion. May we all have as much courage as her in our own struggles.

Jehovah and Women

Note: I started writing this post months ago, and I don't really know what I was going to say - so I'm posting it incomplete with a follow-up post expressing some new concerns.

After reading the Bible, or other Hebrew-based literature, I can't quite shake off the feeling that something is out of place with the idea of a "loving father who only wants the best for all His children". Some examples of what disturb me are: Certain writings by Paul (all the women know which ones I mean), the fact that the Old Testament seems to be written by men and for men, speaking of the women in third person and using the male-only pronoun rather than the neutral (we don't notice this when reading in the English bible, as they are both translated as man, and we assume that women are included, since that is the way English works).

Moving on to the modern era, in Mormonism, men are required to have at least three wives in order to become a god (at least they think they do), where women are to only have one husband. Consider the eternal implications of this! We know that there is an equal number of male and female children being born. This is true all over the world in every country. If in eternity each male is partnered with three females, that leaves two thirds of the male spirits without a mate, and without a hope of eternal progression. I can see two possible solutions to this within the doctrines of traditional Mormonism. Either the third of the host of heaven who fell in the pre-existence and most, if not all those who are dammed in this life are male- therefore creating a large mis-balance between the genders and a reason for the 1:3 ratio (incidentally, I have read a journal from the 1800s that agrees with this theory). Or,

we do not believe in reincarnation ....

Here are some thoughts:

1) Men receive revelation for us, and they are sexist. God tells them correct principles, and they color them with their own ideas.
2) Jehovah doesn't like women (or think of them as being worth the same as a man)
3) Women were evil in the life before this, so they are paying for it now
4) Men are evil and they made Jehovah up so they could be mean to women